What’s Wrong With China’s Latest Feminist Film?
China’s most talked-about summer films, a chapter of Hong Kong’s popular culture closed with the passing of writer Chua Lam, how a rural fashion show captured global attention, and more
Hello TWOC readers!
With July underway, China’s film market has entered one of its fiercest battlegrounds—the summer season. While last year’s performance was underwhelming, there were still a few standouts, like Successor, which grossed over 3 billion yuan. This year, though, we’re still waiting for that one big breakout hit. Some of the most anticipated domestic productions, such as the star-studded She’s Got No Name, have flopped both critically and commercially, drawing criticism as a “fake feminist film.”
Imported films, on the other hand, have had a stronger showing this summer, bringing a wider variety to the screen. We’ve seen everything from classic Hollywood blockbusters like F1: The Movie, Ballerina, and Jurassic World: Rebirth, to live-action remakes of fan favorites like How to Train Your Dragon and Lilo & Stitch. On top of that, there’s been a nostalgic wave with re-releases of iconic Japanese anime films, including Doraemon the Movie: Nobita’s Art World Tales and Crayon Shin Chan: The Adult Empire Strikes Back.
TWOC has rounded up a few of the most talked-about films that have caught our eye. Read on to find out.
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